"This evening there is a ball at the Embassy. The Countess will be there. We shall remain until two in the morning. You may manage to see me alone. As soon as the Countess leaves home, that is to say towards eleven o'clock, the servants are sure to go out, and there will be no one left but the porter, who will be sure to be asleep in his box. Enter as soon as it strikes eleven, and go upstairs as fast as possible. If you find anyone in the ante-chamber, ask whether the Countess is at home, and you will be told that she is out, and, in that case, you must resign yourself, and go away. In all probability, however, you will meet no one. The Countess's women are together in a distant room. When you are once in the ante-chamber, turn to the left, and[Pg 43] walk straight on, until you reach the Countess's bedroom. There, behind a large screen, you will see two doors. The one on the right leads to a dark room. The one on the left leads to a corridor, at the end of which is a little winding staircase, which leads to my parlour Elevit."

At, ten o'clock Hermann was already on duty before the Countess's door. It was a frightful night. The winds had been unloosed, and the snow was falling in large flakes; the lamps gave an uncertain light; the streets were deserted; from time to time passed a sledge, drawn by a wretched hack, on the look-out for a fare. Covered by a thick overcoat, Hermann felt neither the wind nor the snow. At last the Countesses carriage drew up. He saw two huge footmen come forward and take beneath the arms a dilapidated spectre, and place it on the cushions well wrapped up in an enormous fur cloak. Immediately afterwards, in a cloak of lighter make, her head crowned with natural flowers, came Lisaveta, who sprang into the carriage like a dart. The door was closed, and the carriage rolled on softly over the snow dermes vs medilase.

, and soon the windows of the first floor became dark. Silence reigned throughout the house. Hermann walked backwards and forwards; then coming to a lamp he looked at his watch. It was twenty minutes to eleven. Leaning against the lamp-post, his eyes[Pg 44] fixed on the long hand of his watch, he counted impatiently the minutes which had yet to pass. At eleven o'clock precisely Hermann walked up the steps, pushed open the street door, and went into the vestibule, which was well lighted. As it happened the porter was not there. With a firm and rapid step he rushed up the staircase and reached the ante-chamber. There, before a lamp, a footman was sleeping, stretched out in a dirty greasy dressing-gown.

Hermann passed quickly before him and crossed the dining-room and the drawing-room, where there was no light. But the lamp of the ante-chamber helped him to see. At last he reached the Countess's bedroom. Before a screen covered with old icons (sacred pictures) a golden lamp was burning. Gilt arm-chairs, sofas of faded colours, furnished with soft cushions, were arranged symmetrically along the walls, which were hung with China silk. He saw two large portraits painted by Madame le Brun. One represented a man of forty, stout and full coloured, dressed in a light green coat, with a decoration on his breast. The second portrait was that of an elegant young woman, with an aquiline nose, powdered hair rolled back on the temples, and with a rose over her ear. Everywhere might be seen shepherds and shepherdesses in Dresden china, with vases of all shapes, clocks by Leroy, work-baskets, fans, and all the thousand playthings[Pg 45] for the use of ladies of fashion, discovered in the last century, at the time of Montgolfier's balloons and Mesmer's animal magnetism reenex hgf.